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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/cappella-move-on-baby.html[/postlink]http://www.youtube.com/watch?v=65uROWSFcu8endofvid

[starttext]

"Move on Baby" is a 1994 song recorded by the Italian eurodance, house and techno group Cappella. The song was released as single on February 10, 1994 and was the third one from their second album U Got 2 Know.

The song had a great success in many countries, particularly in the Netherlands and Switzerland where it topped the chart. The song also reached #7 on the UK Singles Chart and Hot Dance Club Play in the US.

Cappella was an Italian Eurodance act formed in 1987 by producer Gianfranco Bortolotti. The act went through a number of line-up changes over the years but was most successful in the early 1990s when it was fronted by British performers Kelly Overett and Rodney Bishop. Their biggest hit was "U Got 2 Let the Music", which reached number 2 in the UK in 1993.

The name Cappella was first used in the year 1987. In the beginning, the act was a Hi-NRG act and the main man behind Cappella was the Italian producer Gianfranco Bortolotti of Media Records, with contributions from the likes of Michele Persona and Mauro Picotto. In 1988, the act debuted on the British charts with the song "Bauhaus (Push the Beat)", and the following year with "Helyom Halib" which peaked at number 11. At the time, the act was fronted by the singer Ettore Foresti.

Three years later Cappella scored another UK top 30 hit with "Take Me Away", which sampled Loleatta Holloway's "Love Sensation" - the same track that had been unlawfully sampled on the number 1 hit "Ride On Time" by Black Box in 1989.

It was not until 1993 when Cappella began to gain momentum. After "U Got 2 Know" (which was based on the distinctive riff of Siouxsie and the Banshees' "Happy House") got to the heady heights of number 6 in the UK, two permanent members were drafted in: rapper Rodney Bishop from London and ex-SL2 dancer Kelly Overett from Ipswich. "U Got 2 Let the Music" (which sampled Alphaville's "Sounds Like a Melody") was released in October 1993 and climbed to number 2 on the UK singles chart, held off from the top slot only by Meat Loaf's "I'd Do Anything For Love (But I Won't Do That)".

Further hits followed: "Move On Baby" reached number 7 in February 1994, "U & Me" peaked at number 10 in June, and "Move It Up" ended the U Got 2 Know album project with a number 16 hit in October. Shortly after this, Kelly was fired from the group. It later emerged that she had not actually performed on any of the records - though this should have been obvious to anyone who had seen her performing "Move On Baby" live on Top of the Pops.[1] As for the real voices that were actually used, "U Got 2 Know" included Xaviera Gold's vocals from "You Used To Hold Me", "U Got 2 Let the Music" sampled a vocal from a JM Silk track, and the vocals for "U & Me" was sampled from a song by Vicki Shepard. "Move On Baby" and "Don't Be Proud" were sung by a session singer. The hit "Move It Up" was also sung by a session singer now known to be Jackie Rawe. Interestingly, Overett would later establish a real singing career by releasing a single called "Follow Your Heart" in 1994 under the name "Kelly O". Although she did prove to critics that she was more than a face on a production-type group, "Follow Your Heart" would be her only single.

In 1995, Cappella returned with new member Allison Jordan, who had previously scored a club hit with "Boy From New York City". Rodney Bishop was also replaced by Patrick Osborne, but returned to the group before long. The comeback single "Tell Me the Way" reached number 17 in the UK in September 1995 and was followed by the album War In Heaven.

The act continued to have minor hits in continental Europe for a while before resorting to remixes of previous big hits. In 2004, the act - now once again faceless, released a brand new track called "Angel" which failed to trouble the German or Italian chart. A greatest hits CD/DVD was released in August 2005.


Fuentes:
http://en.wikipedia.org/wiki/Move_on_Baby
en.wikipedia.org/wiki/Cappella

[endtext]

Cappella - Move on baby

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/cappella-u-got-2-let-music.html[/postlink]http://www.youtube.com/watch?v=WXvB3w3hu6Yendofvid

[starttext]

"U Got 2 Let the Music" is a 1993 song recorded by the Italian eurodance, house and techno group Cappella. The song was released as single in early 1994 and was the second from their second album U Got 2 Know.

The song had a great success in many countries including the UK, where it reached number two on the singles chart.

It was re-released in 1998, 2004, and 2006, in remixed versions.

The song uses a sample of the 1984 Alphaville song, "Sounds Like a Melody", but sampled a vocal from the JM Silk track, "Let the Music Take Control".

It was the 36th best-selling single of 1993 in the United Kingdom.

Cappella was an Italian Eurodance act formed in 1987 by producer Gianfranco Bortolotti. The act went through a number of line-up changes over the years but was most successful in the early 1990s when it was fronted by British performers Kelly Overett and Rodney Bishop. Their biggest hit was "U Got 2 Let the Music", which reached number 2 in the UK in 1993.
The name Cappella was first used in the year 1987. In the beginning, the act was a Hi-NRG act and the main man behind Cappella was the Italian producer Gianfranco Bortolotti of Media Records, with contributions from the likes of Michele Persona and Mauro Picotto. In 1988, the act debuted on the British charts with the song "Bauhaus (Push the Beat)", and the following year with "Helyom Halib" which peaked at number 11. At the time, the act was fronted by the singer Ettore Foresti.

Three years later Cappella scored another UK top 30 hit with "Take Me Away", which sampled Loleatta Holloway's "Love Sensation" - the same track that had been unlawfully sampled on the number 1 hit "Ride On Time" by Black Box in 1989.

It was not until 1993 when Cappella began to gain momentum. After "U Got 2 Know" (which was based on the distinctive riff of Siouxsie and the Banshees' "Happy House") got to the heady heights of number 6 in the UK, two permanent members were drafted in: rapper Rodney Bishop from London and ex-SL2 dancer Kelly Overett from Ipswich. "U Got 2 Let the Music" (which sampled Alphaville's "Sounds Like a Melody") was released in October 1993 and climbed to number 2 on the UK singles chart, held off from the top slot only by Meat Loaf's "I'd Do Anything For Love (But I Won't Do That)".

Further hits followed: "Move On Baby" reached number 7 in February 1994, "U & Me" peaked at number 10 in June, and "Move It Up" ended the U Got 2 Know album project with a number 16 hit in October. Shortly after this, Kelly was fired from the group. It later emerged that she had not actually performed on any of the records - though this should have been obvious to anyone who had seen her performing "Move On Baby" live on Top of the Pops.[1] As for the real voices that were actually used, "U Got 2 Know" included Xaviera Gold's vocals from "You Used To Hold Me", "U Got 2 Let the Music" sampled a vocal from a JM Silk track, and the vocals for "U & Me" was sampled from a song by Vicki Shepard. "Move On Baby" and "Don't Be Proud" were sung by a session singer. The hit "Move It Up" was also sung by a session singer now known to be Jackie Rawe. Interestingly, Overett would later establish a real singing career by releasing a single called "Follow Your Heart" in 1994 under the name "Kelly O". Although she did prove to critics that she was more than a face on a production-type group, "Follow Your Heart" would be her only single.

In 1995, Cappella returned with new member Allison Jordan, who had previously scored a club hit with "Boy From New York City". Rodney Bishop was also replaced by Patrick Osborne, but returned to the group before long. The comeback single "Tell Me the Way" reached number 17 in the UK in September 1995 and was followed by the album War In Heaven.

The act continued to have minor hits in continental Europe for a while before resorting to remixes of previous big hits. In 2004, the act - now once again faceless, released a brand new track called "Angel" which failed to trouble the German or Italian chart. A greatest hits CD/DVD was released in August 2005.

Fuente:
http://en.wikipedia.org/wiki/U_Got_2_Let_the_Music
http://en.wikipedia.org/wiki/Cappella

[endtext]

Cappella - U Got 2 Let The Music

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/stefano-secchi-feat-taleesa-brighter.html[/postlink]http://www.youtube.com/watch?v=J_WOPB3gvpAendofvid

[starttext]

Artista:
 STEFANO SECCHI Feat. TALEESA
Título:
 a brighter day
Sello:
 MORE DISCO
Referencia:
 MORE 05
Año:
 1993
Pais:
 Spain
Formato:
 Vinyl - 12", 33 RPM
Genero:
 Electronic
Estilo:
 Italo-Dance
Observaciones:
Produced, Arranged, Played, Performed & Mixed by Stefano Secchi for Propio S.r.L.
Licensed from Propio S.r.L.
Edita: Ginger Music, S.A.
 
Fuente:
http://www.info-disco.com/STEFANO+SECCHI+FEAT+TALEESA/A+BRIGHTER+DAY/referencia/181

[endtext]

Stefano Secchi Feat. Taleesa - A Brighter Day

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/twenty-4-seven-slave-to-music.html[/postlink]http://www.youtube.com/watch?v=gFxFOGHmiFMendofvid

[starttext]

Twenty 4 Seven is a Eurodance act, created by Dutch record producer Ruud van Rijen in 1989. Active sporadically ever since, the act has featured nine different vocalists, has performed across Europe and Africa, and as of 2010 is fronted by Li Ann and Stacey "Stay-C" Paton.

One of the earliest popular Eurodance projects, the project originated as a hip hop group, and transitioned to the mainstream Eurodance sound in the early 90s with Slave to the Music, the band's most successful single to date. The group originally featured rapper Tony Dawson-Harrison, who created the Captain Hollywood Project in 1992.

Slave to the Music and height of popularity

In 1993, Twenty 4 Seven returned with "Slave to the Music", which charted impressively throughout Europe. The band quickly followed with "Is It Love", "Leave Them Alone", and "Take Me Away", the latter charting at #5 in Israel. In late 1993, Is It Love, a full length studio album, was released worldwide, and was accompanied by a worldwide tour with stops in Europe, Australia, and Africa.

After the success of Is It Love, the band quickly capitalized on their success by readying material for another new album. In 1994, "Oh Baby!" and "Keep on Tryin'" were released. Although the singles did not chart in the United Kingdom, where they had experienced large success before, the band continued its success throughout the rest of Europe. After both singles were released, the band released I Wanna Show You, their third studio album, in mid-1994. After several live performances across Europe, the band once again went silent, releasing no new material for the next two years.

Fuente:
http://en.wikipedia.org/wiki/Twenty_4_Seven

[endtext]

Twenty 4 Seven - Slave To The Music

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/double-vision-knockin.html[/postlink]http://www.youtube.com/watch?v=jCeOoSXwKNUendofvid

[starttext]

Double Vision is a Spanish eurodance act consisting of Carol McCloskey and Pedro Cervero.
 
They reached number one with the hit "Knockin 'followed by' OK '.
 
Double Vision songs are usually more difficult more happy hardcore affected since the classic Eurodance. In the name Doble Vicios they had released a single entitled Sara in 1993 Double Vision released the album "unsafe Building".

Fuentes:
http://artistwiki.com/double-vision
http://en.wikipedia.org/wiki/List_of_Austrian_number-one_hits_of_1995

[endtext]

Double Vision - Knockin'

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/cherry-coke-no-hagas-el-indio-haz-el.html[/postlink]http://www.youtube.com/watch?v=6pm7JyeDDNgendofvid

[starttext]

Jordi Cubino es un cantante y compositor español nacido en 1969.

Con 17 años y bajo el seudónimo de David Lyme empezó a grabar discos para la compañía "Max Music" en la mitad de los 80, pese a que estaba recibiendo formación para ser cantante de ópera. Se convierte, junto con Iván, en una de las principales figuras españolas del ítalo disco y consigue colarse por las listas de éxitos de medio mundo, llegando incluso a realizar giras por Japón, Corea y Taiwán.2

A los 20 años entró en el mundo de la publicidad como autor-productor de soundtracks para spots de televisión internacionales (Volkswagen, Audi, Chupa Chups, SEAT, Danone o Coca Cola). Ha conseguido varios leones de oro y plata y numerosas menciones en el Festival de Cannes de Publicidad y otros certámenes internacionales por sus bandas para spots televisivos.

En 1995 escribe el tema de la campaña de lanzamiento de Cherry Coke "No hagas el indio, haz el Cherokee" bajo el seudónimo de Alex G. Ber. La canción de la Cherry Coke, que era de la Coca Cola, fue editada tras el lanzamiento del producto en España, que consigue ser número 1 en España y Alemania, vendiendo 2 millones de copias en los dos países. Posteriormente se editaría en 20 países más.

Fuente:
http://es.wikipedia.org/wiki/Jordi_Cubino

[endtext]

Cherry Coke - No Hagas El Indio Haz El Cherokee

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/caballero-hymn.html[/postlink]http://www.youtube.com/watch?v=hnkQNAhSZiUendofvid

[starttext]

Artista:
 CABBALLERO
Título:
 hymn
Sello:
 Max Music
Referencia:
 NM 939 MX
Año:
 1994
Pais:
 Spain
Formato:
 Vinyl - 12"
Genero:
 Electronic
Estilo:
 Trance, Euro Dance
Observaciones:
Producer, Arranged By, Mixed By - R. Ribeiroa, Ricco Raggazzi
Written-By - Currie, Cc, Ure, Cann
Licensed from Shift Music.(Germany).
Cover by Art of Sundays (AoS), a division of shift.
Design by ON the AIR S.L.

Fuentes:
http://www.info-disco.com/CABBALLERO/HYMN/referencia/7936
http://rememberthemusic90s.blogspot.com/2010/06/cabballero-hymn-cd-maxi.html

[endtext]

Cabballero - Hymn

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/bass-bumpers-keep-on-pushing.html[/postlink]http://www.youtube.com/watch?v=XYMABd55XJYendofvid

[starttext]

Bass Bumpers is a DJ and record production team, known for their dance/techno music. They are originally from Germany; with members: Henning Reith, Caba Kroll, CJ Stone, George Dee, Akira Yamamoto, and Reinhard "DJ Voodoo" Raith. They are known throughout Europe under the names Bass Bumpers, CJ Stone, and Bad Habit Boys, producing their own hits such as "Good Fun", "The Music's Got Me" (a number 36 hit on Billboard's Hot Dance Club Songs chart in 1992), and "Move to the Rhythm". Perhaps their biggest success was when they created Crazy Frog's remake of the popular hit "Axel F" from Beverly Hills Cop. This was a song credited to Crazy Frog, which peaked at number 1 in the UK on May 31, 2005.

Their own tracks, "Runnin'" (1993) and "The Music's Got Me" (1994) were minor hits in the UK Singles Chart.[1]

The supergroup has also written and produced music for other artists, including Amanda Lear, Despina Vandi, DJ Sammy, and Loona.


Discography

 

Albums

  • 1992: Advance
  • 1993: Recouped Advance
  • 1995: The Best of
  • 2004: Dance History

Singles

  • 1990: "Can't Stop Dancing"
  • 1990: "Can't Stop Dancing" - Remix
  • 1991: "Get The Big Bass"
  • 1991: "Get The Big Bass" - Remix
  • 1992: "Get The Big Bass" - The U.K. Remixes (Limited DJ Edition)
  • 1992: "The Music's Got Me"
  • 1992: "The Music's Got Me" - Remixes
  • 1992: "Move To The Rhythm"
  • 1992: "Move To The Rhythm" - The Remixes
  • 1992: "Mega Bump" - The Megamix
  • 1993: "(Keep Me) Runnin'"
  • 1993: "(Keep Me) Runnin'" - Remixes
  • 1993: "(Keep Me) Runnin'" - Radio E.P. (für Radio DJ's)
  • 1994: "Good Fun"
  • 1994: "Good Fun" - Remix
  • 1995: "Keep On Pushing"
  • 1995: "Keep On Pushing" - Remixes
  • 1996: "The Music's Got Me" - '96er Remixes (The Paul Gotel Mixes)
  • 1997: "(Keep Me) Runnin' 97"
  • 2000: "Weekend" - released in Australia under "Bad Habit Boys" distributed by Shock records
  • 2001: "The Music Turns Me On"
  • 2003: "Don't Look Back" (Remix)
  • 2005: "The Music's Got Me" - 2005 Remixes

Fuente:
http://en.wikipedia.org/wiki/Bass_Bumpers


[endtext]

Bass Bumpers - Keep On Pushing

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/bass-bumpers-good-fun.html[/postlink]http://www.youtube.com/watch?v=T-jryNXz0CIendofvid

[starttext]

Bass Bumpers is a DJ and record production team, known for their dance/techno music. They are originally from Germany; with members: Henning Reith, Caba Kroll, CJ Stone, George Dee, Akira Yamamoto, and Reinhard "DJ Voodoo" Raith. They are known throughout Europe under the names Bass Bumpers, CJ Stone, and Bad Habit Boys, producing their own hits such as "Good Fun", "The Music's Got Me" (a number 36 hit on Billboard's Hot Dance Club Songs chart in 1992), and "Move to the Rhythm". Perhaps their biggest success was when they created Crazy Frog's remake of the popular hit "Axel F" from Beverly Hills Cop. This was a song credited to Crazy Frog, which peaked at number 1 in the UK on May 31, 2005.

Their own tracks, "Runnin'" (1993) and "The Music's Got Me" (1994) were minor hits in the UK Singles Chart.[1]

The supergroup has also written and produced music for other artists, including Amanda Lear, Despina Vandi, DJ Sammy, and Loona.


Discography

 

Albums

  • 1992: Advance
  • 1993: Recouped Advance
  • 1995: The Best of
  • 2004: Dance History

Singles

  • 1990: "Can't Stop Dancing"
  • 1990: "Can't Stop Dancing" - Remix
  • 1991: "Get The Big Bass"
  • 1991: "Get The Big Bass" - Remix
  • 1992: "Get The Big Bass" - The U.K. Remixes (Limited DJ Edition)
  • 1992: "The Music's Got Me"
  • 1992: "The Music's Got Me" - Remixes
  • 1992: "Move To The Rhythm"
  • 1992: "Move To The Rhythm" - The Remixes
  • 1992: "Mega Bump" - The Megamix
  • 1993: "(Keep Me) Runnin'"
  • 1993: "(Keep Me) Runnin'" - Remixes
  • 1993: "(Keep Me) Runnin'" - Radio E.P. (für Radio DJ's)
  • 1994: "Good Fun"
  • 1994: "Good Fun" - Remix
  • 1995: "Keep On Pushing"
  • 1995: "Keep On Pushing" - Remixes
  • 1996: "The Music's Got Me" - '96er Remixes (The Paul Gotel Mixes)
  • 1997: "(Keep Me) Runnin' 97"
  • 2000: "Weekend" - released in Australia under "Bad Habit Boys" distributed by Shock records
  • 2001: "The Music Turns Me On"
  • 2003: "Don't Look Back" (Remix)
  • 2005: "The Music's Got Me" - 2005 Remixes

Fuente:
http://en.wikipedia.org/wiki/Bass_Bumpers

[endtext]

Bass Bumpers - Good Fun

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/2-brothers-on-4th-floor-dreams-will.html[/postlink]http://www.youtube.com/watch?v=Lk3lQRmIkoMendofvid

[starttext]

Letra:

(Bridge)
Dreams to survive
Dreams make a wish come true, oooh
Keep your dreams alive
Dream... dream on
Your dream will come alive

(Chorus)
Come on dream on
Come on dream on
Come on dream on, boy
Your dream will come alive
Come on dream on
Come on dream on
Come on dream on, boy
Your dream will come alive

Once again a song comin' strong,
here to remind you got to dream on.
Go for what you know don't let it slide,
take a change let's ride.
To the future not to the past,
take it easy and not to fast.
Many failed in society,
to blind to see you need to be free.
Free from the strain that causes pain,
pain is the name and life is the game.
Dream on try to survive,
keep hope alive reach for the sky.
Do the best you can make a wish come true,
listen here's the clue:let it flow before it's all gone,
come on boy you got to dream on.

Bridge

Chorus

Try to relax and move to the track,
go for your goals and don't hold it back.
Strive to keep you dreams and hopes alive,
do it know and don't pass it by.
Life is to short so give me your hand,
I will lead you to another land.
D. R. O. C. K. is here with the light,
shinin' bright cause I'm right.
Close your eyes and just concentrate,
it's never to late to erase the hate.
Focus your mind when I say my rhymes,
cause I'm always on time.
Do the best you can make a wish come true,
listen here's the clue:let it flow before it's all gone,
come on boy you got to dream on

Bridge

Chorus

Dreams are the way to express yourself from the heart,
now it's time to depart.
On a journey for the mind,
peace of mind is what you will find.
Like Martin Luther King, I had a dream,that we all would sing
in peace and harmony comin' strong.
Come on boy you got to dream on.

2 Brothers on the 4th Floor is a Eurodance band, consisting of the Dutch brothers Martin and Bobby Boer. Since their creation in 1990, the group has been fronted by Dutch singer Desire Claudette.

The Boer brothers had already been experimenting with music in a small bedroom when they finally gained note in 1990, when their single Can't Help Myself was picked up by Dutch radio stations and became an international hit. The brothers then brought together rapper Da Smooth Baron MC and singers Peggy "The Duchess" and Gale Robinson to form their stage act. The release of their next single, Turn Da Music Up was somewhat less successful, but helped the band to gain name recognition.

2 Brothers on the 4th Floor made two hit singles together before separating. Martin Boer moved into a new professional studio and started making remixes under the name Dancability Productions, making remixes for artists such as Becky Bell, Twenty 4 Seven and Luv' (for their Megamix '93), while Bobby Boer designed record covers and CD inlays for other artists.

2 Brothers on the 4th Floor was revived by the Boer brothers in 1994. Bobby joined Martin in his studio and, after some time, released the single Never Alone. This single was the first to be launched with rapper D-Rock and singer Desirée Manders (stage name: Des'Ray). The song "Dreams", which the title song of the band's first album, was a song that captured the essence of Eurodance. Due to the genre's popularity when the song was released in 1994, the song became a hit both nationally and internationally. The band's renewed style and concept was accepted well by Dutch audience. Never Alone topped the charts for weeks and went gold. 

Dreams, the band's subsequent single, went straight to number one and remained on the charts for weeks and Let Me Be Free, its successor, remained in the top ten nationally for some time.

Fuentes:
http://lyrics.wikia.com/2_Brothers_On_The_4th_Floor:Dreams_%28Will_Come_Alive%29
http://en.wikipedia.org/wiki/2_Brothers_on_the_4th_Floor

[endtext]

2 Brothers on the 4th floor - Dreams (Will come alive)

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/tina-cousins-pray.html[/postlink]http://www.youtube.com/watch?v=j4RVGue9DOQendofvid

[starttext]

Letra:

What a miracle is life
the fields are high and fruit is ripe
so hold out your hands
yeah,hold out your hands
and your the same as me
you breathe the air i breathe
and we don't understand
yeah,we don't understand.
And if you don't ask questions,you won't know why
so say a prayer for the dying while there's still time.
(chorus)
pray for good and pray for love
pray for peace and pray it's enough
pray for salvation,pray that we're right
pray for one day we open our eyes, and
pray for them and pray for us
pray for one day we can all live as one
pray for the children whose time is to come
just pray they forgive us for the stupid things we've done.
We all see the same sun
each day a golden praise is sung
to the wonder of man
yeah,to the wonder of man
and when we look why can't we see
all the riches that are free
oh,we don't understand
yeah,we don't understand
And if you don't ask questions,you won't know why
so say a prayer for the dying while there's still time.
(chorus)

"Pray" is a pop–dance song recorded by British singer Tina Cousins for her 2000 debut album Killing Time.

The song was her third consecutive top 20 hit in the United Kingdom and her first top 10 hit in Australia where it achieved gold sales. In Australia, it also made the top 10 airplay songs for the year.

Released: 1998

Tina Cousins (20 de abril de 1974, Leigh-on-Sea, Essex), cantante británica. Conocida como "La Reina del Dance"

Al contrario de lo que se dice, ella no comenzó su carrera trabajando como modelo. Como ella ha comentado en algunas entrevistas, al parecer solamente hizo algunos trabajos como modelo y apareció en un video de los "Rolling Stones" en el que se cuenta una anécdota, en la que se supone que ella empujó a "Mike Jagger" a una piscina por haber sido borde, y darle un codazo justamente cuando ella pasaba al lado de el.

En realidad comenzó cantando en solitario y con bandas por clubes de Inglaterra.

El primer trabajo que grabó tampoco fue "Killin' Time" como muchos creen. El primero fue "Touch Me" en 1993, con el Dj y productor "David Osborne" y luego, de nuevo junto a "David Osborne" y los productores "Bradley Carter" y "David Lodge" bajo el alias de "De Ozy Gang" grabaron los temas "Work Ya Body" y "Don't Look Back" en un vinilo en el que aparecía acreditada como "Tina Cussons".

Cuatro años más tarde envió a PWL records una maqueta, los cuales grabaron su primer single "Killin' Time" en 1997 (se cuenta una historia en la que haciendo de modelo falló una cantante del espectáculo y dejó el desfile para cantar ella pero no se sabe que tiene de cierta esa historia)

Como "Killin' Time" no funcionó mal en las pistas de baile Su 2º Single fue "Angel" en ese mismo año.

Parece que el 97 fue su año afortunado porque "Sash!"(Sascha Lappessen) que había oído el "Killin' Time" estaba muy interesado en que Tina colaborase con él en un tema que tenia escrito y que sería el mayor éxito de ambos "Mysterious Times" (Aunque "Sash!" ya había alcanzado grandes éxitos con "Encore Un Fois", "Ecuador" o "Stay")

Con "Mysterious Times" (que seria el primer single del 2º Lp de "Sash!") alcanzaron los primeros puestos en todas las listas y serviría para que PWL confiara un poco más en Tina, grabando una canción "Deeper Shade Of Blue" que finalmente no fue lanzada por ella sino por el grupo Steps (que eran del mismo sello discográfico).

"Deeper shade Of Blue" no fue oficialmente lanzada pero cuenta con varios remixes y un videoclip (circula una portada de lo que parece ser una cinta de cassette por Internet, además de un promo del videoclip que llegó a ser rodado y del cual aparecen algunas imágenes en el libreto del Cd) (En el cassette aparece "SIN" una canción que nadie ha oído).

No se llegó a lanzar "Depper Shade Of Blue" pero en su lugar se lanzó el que ha sido su mayor éxito en solitario, "Pray". Todo un himno Dance.

Fuentes:
http://www.musica.com/letras.asp?letra=83295
http://en.wikipedia.org/wiki/Pray_%28Tina_Cousins_song%29
http://es.wikipedia.org/wiki/Tina_Cousins

[endtext]

Tina Cousins - Pray

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[starttext]

"Feel It" is a song by The Tamperer featuring Maya, released in May 1998. The song became a number one single in the United Kingdom, and samples the Jacksons' Top 10 1981 hit "Can You Feel It". In 1998 It reached #1 in the United Kingdom and Republic of Ireland, and #4 on the US Billboard Hot Dance Music/Club Play chart. UK football team Birmingham City use the song as their entrance music to the pitch.

The Tamperer featuring Maya was an Italian-American dance music group consisting of Italian record producers Mario Fargetta and Alex Farolfi, and American singer Maya Days. Later, Giuliano Saglia and GianLuca Mensi would join the project. In 1998 they became famous for their debut single "Feel It", which peaked at #1 in the United Kingdom and Republic of Ireland in May of that year and was taken from their album Fabulous. "Feel it" was written by the American team of Steve Gittelman and Jim Dyke and relied heavily on a sample of the Jacksons hit "Can You Feel It".

The album spawned two more singles, "If You Buy This Record Your Life Will Be Better" (based on a sample from Madonna's "Material Girl"), and the Italy-only release "Step Out", which was later included as a B-side on their fourth and final single, "Hammer to the Heart" (based on a sample from Abba's "Gimme Gimme Gimme"). The producers also used The Tamperer alias to produce and remix other artists, such as Crystal Waters.

Fuentes:
http://en.wikipedia.org/wiki/Feel_It_%28The_Tamperer_featuring_Maya_song%29
http://en.wikipedia.org/wiki/The_Tamperer_featuring_Maya

[endtext]

The Tamperer featuring Maya - Feel It

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[starttext]

"Rhythm Is a Dancer" is a song recorded by the act Snap!, released as a single in the second quarter of 1992, from the album The Madman's Return. It was written by Benito Benitez, John "Virgo" Garrett III (aliases for German producers Michael Münzing and Luca Anzilotti), singer Thea Austin and rapper Durron Butler and produced by Snap! It achieved a huge success in many countries, becoming a top 5 hit in the U.S. and topping the charts in France, Ireland, Italy, the Netherlands, Germany and the United Kingdom. It has been argued that it was the first Eurodance single ever released.

The track features lead vocals by Thea Austin and a rap by Turbo B.

According to Miz hit. tubes, a book which analyses the French pop charts, "this discotheque song alternates the female singing of the chorus with the fluid rap and set back from the verses. These are tinged with a resonant sonority, with astonishment melancholic relents for a hit dance. That gives to the whole a very particular colouring; almost nostalgia."[1]

It is also contains what is said to be the "worst lyric of all time", with its line "I'm as serious as cancer when I say rhythm is a dancer".[2] That the original album version of the song did not contain the line, which is found on the more widely known 7" single of the song that was later added to the album.

The music video for "Rhythm Is a Dancer" was directed by Howard Greenhalgh and shows singer Thea Austin and a backup band at a rocket park filled with smoke. Austin and her group perform the song on elevated platforms while a group of dancers dance on a closed ground platform below them. Interpersed throughout these scenes are animated shots of flickering astronomy/aviation maps and animated figures dancing.

"Rhythm Is a Dancer" was the second single by Snap! to reach No. 1 in the United Kingdom, spending six weeks at the top from August 1992. It is their biggest hit single to date, with 492,175 sales during the original British chart run. A massive hit across the world, it also topped the chart in Germany, and peaked at No. 5 on the Billboard Hot 100 in the U.S in early 1993. In France, "Rhythm Is a Dancer" debuted at No. 5 on August 8, 1992, before climbing to No. 1 four weeks later (where it stayed for six weeks). The track thus became the first dance single to hit the number one position on the French Singles Chart. The song is currently the 97th best-selling single of all time in Germany.[3]

Snap! themselves re-recorded their own song in 1996 and 2003, the latter with CJ Stone (as "Rhythm is a Dancer 2003"). It reached number 17 on the official UK Top 40 in May 2003.

On 25 May 2008, "Rhythm Is a Dancer" re-entered the official UK Top 40 at number 36, climbing as high as number 23 two weeks later. BBC Radio 1 DJs Fearne Cotton and Reggie Yates theorized it was based on download performance, due to its inclusion in a television advertisement for Drench water.

On 4 April 2009, "Rhythm is a Dancer" was chosen on the Belgian Radio MNM as the Best Song of the Nineties in the Nineties Top 100

Fuente:
http://en.wikipedia.org/wiki/Rhythm_Is_a_Dancer

[endtext]

Snap! - Rhythm Is A Dancer

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[starttext]

Letra de la canción:


(Scatting by Scatman John)
I'm the Scatman
(Scatting by Scatman John)
I'm the Scatman
(Scatting by Scatman John)
Everybody stutters one way or the other
So check out my message to you.
As a matter of fact don't let nothin' hold you back.
If the Scatman can do it so can you.
Everybody's sayin' that the Scatman stutters
But doesn't ever stutter when he sings.
But what you don't know I'm gonna tell you right now
That the stutter and the scat is the same thing.
Yo I'm the Scatman.
Where's the Scatman? I'm the Scatman.
Why should we be pleasin' all the politician heathens
Who would try to change the seasons if they could?
The state of the condition insults my intuitions
And it only makes me crazy and my heart like wood.
Everybody stutters one way or the other
So check out my message to you.
As a matter of fact don't let nothin' hold you back.
If the Scatman can do it brother so can you.
I'm the Scatman.
(Scatting by Scatman John)
Everybody stutters one way or the other
So check out my message to you.
As a matter of fact don't let nothin' hold you back.
If the Scatman can do it so can you.
I'm the Scatman.
I hear you all ask 'bout the meaning of scat.
Well I'm the professor and all I can tell you is
While you're still sleepin' the
saints are still weepin' cause
Things you call dead haven't yet
had the chance to be born.
I'm the Scatman.
(Scatting by Scatman John)

I'm the Scatman

I'm the Scatman....repeat after me
It's a scoobie oobie doobie scoobie doobie melody
I'm the Scatman....sing along with me
It's a scoobie oobie doobie scoobie doobie melody
(Scatting by Scatman John)
I'm the Scatman....sing along with me
It's a scoobie oobie doobie scoobie doobie melody

John Paul Larkin (El Monte, California, 13 de marzo de 1942 - Los Ángeles, 3 de diciembre de 1999), más conocido por su nombre artístico Scatman John (a veces conocido como Scatman internacionalmente), fue un famoso cantante de scat que inventó una fusión única entre el scat y la música dance. Su canción "Scatman (Ski-Ba-Bop-Ba-Dop-Bop)" (1994) fue un éxito a nivel mundial. Como a él le gustaba decir, su carrera hacia el éxito fue un proceso de "convertir mi mayor problema en mi mayor cualidad", pues Scatman John era tartamudo.

Recibió 14 discos de oro y 18 de platino por sus álbumes y sencillos. Asimismo, recibió el premio Annie Glenn por su servicio a la comunidad de tartamudos y fue incluido en el Salón de la Fama de la Stuttering Association.

Comienzos


Nacido en El Monte, California, John Paul Larkin sufrió una grave tartamudez desde "que (él) empezó a hablar", lo que le condujo a una infancia emocionalmente traumática. Incluso en la cima de su éxito en 1995, los periodistas afirmaban que durante las entrevistas él "difícilmente terminaba una frase sin repetir la última sílaba seis o siete veces". A los 12 años empezó a ir a clases de piano, y a los 14 se inició en el arte del scat mediante grabaciones de Ella Fitzgerald y Louis Armstrong, entre otros. El piano supuso para él un medio de expresión artística que compensaba sus dificultades al hablar. El recalcó en una entrevista en 1996 que "tocar el piano supuso para mí una forma de hablar... Me escondí tras el piano porque tenía miedo de hablar".

En los años 1970 y 1980 se convirtió en un pianista profesional de jazz, tocando varias piezas en diversos clubes alrededor de Los Ángeles. En 1986 lanzó su primer álbum al que llamó John Larkin con el sello discográfico Transition Label. Las copias de dicho álbum son, hoy en día, extremadamente raras. Sin embargo él afirmaba tener "miles de ellas desparramadas en el cuarto de baño" de su casa.

Por aquellos tiempos el alcoholismo y la drogadicción comenzaban a dinamitar su vida. Cuando su amigo, el músico Joe Farrell, quien también tenía un problema con las drogas, murió en 1987, Larkin decidió vencer sus vicios. Lo consiguió tiempo después con la ayuda de su nueva mujer Judy. "Tienes talento", le dijo ella. "Voy a hacer algo grande de ti"

 

El nacimiento de "Scatman John"


En 1990, Larkin se muda a Berlín para continuar con su carrera musical. Siguió tocando como pianista de jazz en clubes por toda Alemania. Allí fue donde decidió añadir letra a sus piezas musicales por primera vez, inspirado por la ovación que recibió tras tocar "On the Sunny Side of the Street". Al tiempo, su asistente Manfred Zahringer le sugirió combinar el scat con la música disco y el hip-hop, una idea de la que Larkin era escéptico pero a la que BMG Hamburg era receptiva.

Larkin estaba asustado principalmente de que los oyentes se dieran cuenta de que tartamudeaba, por lo que Judy le sugirió que hablara abiertamente de ello en sus canciones. Trabajando con los productores de música dance Ingo Kays y Tony Catania, Larkin grabó su primer single "Scatman (Ski Ba Bop Ba Dop Bop)", una canción que pretendía animar a los niños que sufrían de tartamudez a superar la adversidad. Larkin adoptó el nombre artístico de Scatman John.

 

Éxitos internacionales


En 1995, a los 52 años de edad, se convirtió en una estrella mundial. Las ventas de su single fueron bajas al principio, pero gradualmente fueron aumentando hasta alcanzar el 1º puesto en prácticamente todos los países donde fue lanzado, vendiendo más de 6 millones de copias a lo largo de todo el mundo. "Scatman (Ski Ba Bop Ba Dop Bop)" es todavía su mayor éxito en ventas y su mejor canción hasta la fecha, habiendo permanecido varias semanas en el Top 10 de singles en Reino Unido. Posteriormente continuó con el single "Scatman's World" entrando en el Top 10 de Reino Unido con menos éxito que su primer single, pero vendiendo 1 millón de copias y alcanzando puestos elevados a lo largo de Europa.

Siguiendo los éxitos de estos dos singles, lanzó su álbum debut Scatman's World. Vendió 3 millones de copias y batió el récord mundial como álbum vendido en el mayor número de países. Scatman John comenzó un tour de conciertos promocionales por Europa y Asia. "En una aparición que hice en España, los jóvenes gritaron durante 5 minutos seguidos, no podía comenzar la canción". Durante una entrevista referida al nuevo álbum, Scatman John habló tan fluidamente que un periodista dijo que no había oído a Larkin tartamudear ni una sola vez y le preguntó si no estaba usando a la comunidad de tartamudos como "un medio para continuar con su carrera". Scatman quedó sorprendido al sentirse avergonzado por primera vez de su "facilidad" para hablar.

 

Después de "Scatman's World"


El segundo álbum de Scatman John, Everybody Jam!, fue lanzado en 1996. Como nunca antes, el single "Everybody Jam!" tuvo un éxito sin precedentes en Japón, país donde obtuvo repercusión a una escala mayor que en ningún otro lugar del mundo. Scatman John fue tan popular en Japón que las tiendas de juguetes vendían muñecos con su aspecto, tarjetas telefónicas e incluso latas de Coca-Cola. La versión japonesa de "Everybody Jam!" incluyó un total de 5 pistas extra, como las canciones "Su Su Super キ・レ・イ" y "Pripri Scat", que fueron solicitadas para anuncios de empresas japonesas de cosméticos y budines. La franquicia de Ultraman llegó a lanzar un single, "Scatultraman", cuya carátula representa a Ultraman con un sombrero y un bigote.

 

Últimos años


En 1999, Scatman John lanzó su tercer y último álbum. En una entrevista en 1996 comentó "Espero que los niños, mientras cantan o bailan mis canciones, sientan que la vida no es tan mala como parece. Al menos por tan sólo un minuto".

 

Fallecimiento

En 1999, después de cuatro años de estrellato y posterior olvido mediático, y tras luchar contra un cáncer de pulmón que llevaba un año padeciendo, Scatman John fallecía a los 57 años de edad.

 

Discografía

 

Álbumes de Estudio

Compilaciones

Sencillos



[endtext]

Scatman John - Scatman

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[starttext]

"Ecuador" is a single produced by German DJ/Production team Sash!, and also features Adrian Rodriguez. It was released three months after the hugely successful "Encore Une Fois", and lived up to its predecessor's success, becoming an international hit and reaching the top 20 in more than ten countries worldwide.

Being the follow-up single to the massively successful "Encore Une Fois", a lot was riding on this next Sash! release. The single was just as successful, and reached number 2 in the UK Singles Chart, earning another Gold certification for sales in excess of 400,000. The song became a European smash, reaching the top 10 in Germany, Switzerland, The Nederlands, Belgium (where it peaked at number 1), Sweden, Finland, Norway and Ireland. It also reached the top 20 in Austria and France. In the United States, it was a huge success and the second number 1 on Hot Dance Club Play chart for Sash!

"Ecuador" (Bruce Wayne Mix) is played repeatedly on the loading platform of The Riddler's Revenge ride at Six Flags Magic Mountain in an instrumental, seamlessly-looping version.

Sash!, DJ y productor formado por Sascha Lappessen (nacido el 10 de junio de 1970 en Nettetal, Alemania) y Ralf Kappmeier y Thomas "Alisson" Lüdke en el estudio.

Consiguieron colocarse en los primeros puestos de las listas de éxitos de varios países, sobre todo británicas, australianas y de otros países europeos entre 1997 y 1998 con "Encore Une Fois", "Ecuador", "Stay" y "Mysterious Times". Pese a seguir en activo, su éxito se ha visto bastante mermado, de hecho su último álbum no ha sido editado en el Reino Unido En sus temas, combinan estilos musicales diversos y están cantados en varias lenguas: "Stay", "Mysterious Times" y "Just Around The Hill" en inglés, "Encore une Fois" en francés, "Adelante", "Luna Llena" y "Ecuador" en castellano, "La Primavera" en italiano, Together Again en danés y "Ganbareh!" en japonés- Significa 'Da lo mejor de ti' y era el slogan de la cancion hecha a proposito para el mundial de Korea-Japon 2002.

Fuentes:
http://en.wikipedia.org/wiki/Ecuador_%28song%29
http://es.wikipedia.org/wiki/Sash!

[endtext]

Sash! - Ecuador

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/netzwerk-memories.html[/postlink]http://www.youtube.com/watch?v=4lIxYCpnj7wendofvid

[starttext]

Netzwerk es un proyecto de música eletrónica surgido en Italia, en 1991, en la era de la "Italo Dance". Producido por la empresa DWA (Dance World Attack), este proyecto tenía como vocalista a la cantante Sandra Chambers. Netzwerk alcanzó éxitos en las listas italianas, colocándonse rápidamente en primer lugar, con la regrabación de la canción "Send Me An Angel", en aquel año.

En 1993, los productores responsables del proyecto Dance lanzaron la música "Breakdown" que repitió el éxito alcanzado dos años atrás en las listas musicales europeas.

En diciembre de 1994, Netzwerk apareció nuevamente en las listas de éxito en Europa, con repercusión en varios países del mundo, con la canción "Passion". Ese "hit", sin duda alguna, fue el mayor éxito del proyecto musical, manteniéndose durante meses en los primeros puestos entre las músicas más escuchadas, no sólo en las pistas de baile, sino también en emisoras de radio. En marzo de 1995, otro gran éxito del grupo salió a la luz: "Memories". Hasta hoy, no se sabe exactamente quién es el acompañante de la vocalista Sandra Chambers en ambas canciones.

Durante los dos años siguientes, Netzwerk tuvo una proyección mundial con dos músicas lanzadas en los años anteriores, hasta lanzar en 1997, la canción "Dreams", que fue producida con efectos de vocoders y altos rifs de guitarras, en una línea musical considerada como alternativa, lo que la diferenciaba de los trabajos anteriores.

Fuente:

[endtext]

Netzwerk - Memories

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/coro-feat-taleesa-because-night.html[/postlink]http://www.youtube.com/watch?v=nagp_XxYYJcendofvid

[starttext]

"Because the Night" is a song by the Patti Smith Group, written by Bruce Springsteen and Patti Smith which was released as a single in 1978, taken from Smith's album Easter. The song was a hit, rising to #13 on the Billboard Hot 100 chart, and helping propel sales of Easter to mainstream success – even as Smith was deciding to retire from a life of constant touring. The song remains one of the best known of Smith's catalog.

In 1992, Co.Ro released a version that featured Tarlisa that sold over 660,000 copies. It was a gold record in France and reached number one in Italy, Spain, and several other European countries.

Fuente:
http://en.wikipedia.org/wiki/Because_the_Night

[endtext]

Co.Ro. feat. Taleesa - Because the Night

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/aqua-barbie-girl.html[/postlink]http://www.youtube.com/watch?v=ZyhrYis509Aendofvid

[starttext]

Barbie Girl es un single publicado por la banda noruego-danesa Aqua en 1997, de su álbum Aquarium. Pese a que ya gozaban de un importante éxito en Escandinavia y un relativo éxito en otros países, el lanzamiento de este tema fue su despegue a nivel mundial. Fue número #1 en varios países y uno de los debuts más importantes hasta entonces en las listas de Estados Unidos, donde fue #7. La compañía Mattel los demandó por utilizar este nombre para el tema. Fue una de las canciones más escuchadas a finales de siglo XX. Paradójicamente, en la campaña navideña de 2009 la compañía usa la melodía de la canción en sus anuncios televisivos y en su web.

Los propios miembros de la banda aseguraron que era un tema divertido y que sólo buscaban eso, no obstante se esforzaron para no ser "encasillados" con esta canción y declararon varias veces que "Aqua era algo más que Barbie Girl". Por otra parte, pese a su tremendo éxito a finales de los 90, la canción ha sido votada por numerosos medios (como la revista Rolling Stone) como una de las peores del pop. Desde entonces se han hecho numerosas parodias como Ugly Girl, Barbie is a bitch o en México Barbie Q.

Fuente:

[endtext]

Aqua - Barbie Girl

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[starttext]

"All That She Wants" is a hit single of Swedish pop group Ace of Base. The song was produced by Denniz Pop. In early 1993, the song reached the top of the charts in many countries, including Denmark, the United Kingdom and Australia. The single was certified Platinum in the United States, where it peaked at #2. It is one of the highest-selling #2 songs of all time in the States: it stayed in the top three songs on Billboard Hot 100 list for three months, but never actually reached the #1 position. The song is currently the 71st best-selling single of all time in Germany.

En mi opinión, merece la pena poner la letra de esta canción para explicar su electrizante atractivo:


She leeds a lonely life - she leeds a lonely life

When she woke up late in the morning light
and the day has just begun
she opened her eyes and thought
o' what a morning
it's not a day for work
it's a day for catching tan
just laying on the beach and having fun
she's going to get you

all that she wants is another baby
she's gone tomorrow boy
all that she wants is another baby
all that she wants is another baby
she's gone tomorrow boy
all that she wants is another baby

all that she wants - all that she wants

so if you are in sight and the day is right
she's the hunter you're the fox
the gentle voice that talks to you
won't talk forever
it's a night for passion
but the morning means goodbye
beware of that is flashing on her eyes
she's going to get you

all that she wants ...


Fuentes:
http://en.wikipedia.org/wiki/All_That_She_Wants
http://es.wikipedia.org/wiki/Ace_of_Base

http://www.quedeletras.com/letra-cancion-all-that-she-wants-bajar-74152/disco-gratest-hits/ace-of-base-all-that-she-wants.html
http://www.lyricsfreak.com/a/ace+of+base/all+that+she+wants_20003639.html

[endtext]

Ace Of Base - All That She Wants

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[starttext]

Double You es un grupo inglés de estilo eurodance que comenzó en 1985, cuando William Naraine (cantante), comenzó a producir y cantar demos con sus amigos de Italia Franco Amato y Andrea de Antoni.

En 1992 se convirtieron en un fenómeno dance mundial tras vender más de 3 millones de sencillos y que su tema "Please Don’t Go" se convirtiera en la canción más bailada del año.

En 1994, fue conocida la canción muy bailable Run To Me, en las discotecas de Europa y Sudamérica.

Fuente:
http://es.wikipedia.org/wiki/Double_You

[endtext]

Double You - Please Don't Go

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[starttext]

"One and One" is a 1996 song by Italian dance artist Robert Miles. The third single released from his debut album Dreamland, One and One became Miles' second hit. This release features English singer Maria Nayler.

Miles is known by some collectors of CD singles for the quotes he includes on his jewel case inserts, succinct expressions of what he was attempting to communicate in writing and producing the song. Of One and One Miles wrote:
...Sometimes, you don't even have the time to realize
what is happening to your life,
that it has already happened...
the world moves too fast... let's recapture the essence of time."
Fuente:
http://en.wikipedia.org/wiki/One_%26_One_%28song%29

[endtext]

Robert Miles feat. Maria Nayler - One & One

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[starttext]

Temazo del año 1997. En mi opinión, este remix es muy superior al original, e imposible de encontrar en ningún recopilatorio de la época o posteriores.

[endtext]

Plastic - Addicted (Club Version)

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/sash-featuring-tina-cousins-mysterious.html[/postlink]http://www.youtube.com/watch?v=2syiIGRsyvIendofvid

[starttext]

"Mysterious Times" is a dance music song by German production group Sash! from their album Life Goes On. It features British singer Tina Cousins. It was one of many top ten hits for Sash!

Life Goes On is the second album by the German DJ Sash! released in 1998. It contains the hit singles "La Primavera" and "Mysterious Times".

Fuentes:
http://en.wikipedia.org/wiki/Mysterious_Times
http://en.wikipedia.org/wiki/Life_Goes_On_%28Sash!_album%29

[endtext]

Sash! Featuring Tina Cousins - Mysterious Times

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[postlink]https://elmejordancedelosnoventa.blogspot.com/2011/10/magic-affair-omen-3.html[/postlink]http://www.youtube.com/watch?v=mR_uzFbY3q0endofvid

[starttext]

Magic Affair es en grupo alemán de música eurodance fundado en 1994 por Mike Staab.

Originalmente, el grupo se componía por la vocalista Franca Morgano y el rapero A.K. Swift (nacido en 1973 en Chicago). Magic Affair publicó cuatro sencillos, Omen III, Give Me All Your love, In the Middle of the Night y Fire, todos ellos pertenecientes al álbum denominado The Story Continues. Obtuvieron un enorme éxito especialmente con su primer sencillo Omen III entrando a los top five de los ránkings de sencillos en muchos países de Europa incluyendo Alemania y el Reino Unido.

En 1995 los dos miembros originales del grupo fueron reemplazados por las cantantes Jannet De Lara y Anita Davis y su primer álbum The Rhythm Makes You Wanna Dance fue publicado subsecuentemente.

Fuente:
http://es.wikipedia.org/wiki/Magic_Affair

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Magic Affair - Omen 3

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